![]() The renewed manufacturing of these papyrus paintings sheds light on the definitive role of the papyrus plant in Egyptian culture. The artist who recreated this scene painted the figures and symbols in dark hues and warm metallics that imitate the richness and mysticism of original Egyptian works. Filling the rest of the compact, rectangular composition are Egyptian motifs and hieroglyphs. This particular image depicts an offering scene in which two figures present objects to a pharaoh or god. Reproductions, such as this one, explore popular themes in ancient Egyptian culture. Since then, scores of handmade papyrus paper paintings akin to those produced by ancient Egyptians have been crafted and sold in modern-day Egypt. ![]() Read more here.In response to a revival of interest in ancient Egyptian culture in Cairo in the latter half of the twentieth century, Egyptian artisans began to explore the antique papyrus paper-making and painting processes of their ancestors. But we need to acknowledge that these regions, despite their aridity, were home to various indigenous peoples – nomads who are largely shrouded from the historic record. ![]() Nomads, Mercenaries, and Goldmines: Desert Politics in the Ramesside PeriodĪ cliché of Ancient Egyptian geography is that the deserts were empty wastes, possessing nothing but mineral wealth that the Egyptians were free to exploit. In a Coptic letter from the 7 th century CE, a wet nurse Maria expresses her grief and condolences over the death of a young girl. The woman’s crime? She had been sleeping with a married man for the past eight months. One night, an angry mob marched across the Egyptian village Deir el-Medina with the intention of beating up a woman. Mob Rule and Personal Relations in an Egyptian Village Nobody is present to witness their tryst, except for the trees. Concealed among the shadows, sheltered under the trees, they lose themselves in each other. The scene: young lovers escape the heat of the early afternoon soon for the shade of an orchard. A fragment of her funerary stela survives and is today housed in the Petrie Museum of Egyptian Archaeology in London. Read more here.Īt the age of 21 years and 29 days, the sistrum-player Kheredankh died. Instead, the heart was not only recognised as a beating organ that pumped blood, for the ancient Egyptian it was also the source of intelligence, emotions, and memory. The brain’s function and importance were not understood. Perhaps one of the best-known aspects of the Egyptian mummification process is that the brain was removed from the body and discarded. But, they were not the first people in Egypt to do so – Egyptians had been naming their cows for millennia beforehand! Read more here. Read more here.Įbony and Meretseger: On a New Kingdom Herd of CowsĪ sale document from the Fayum showed us that Roman soldiers living here named their cows, as discussed in a previous post. Three papyri from the village Deir el-Medina, dating to the late New Kingdom, reveal a shocking event: the punishment of two policemen – medjay – with death by drowning in the Nile. Read more here.ĭeath by Nile: Punishing Policemen at Deir el-Medina From birthing to butchery, we see the experiences and uses of cattle. Tomb scenes and models show how important cattle were in ancient Egypt. Whether it was for consumption, offerings to the gods, or for healing wounds, honey was important in ancient Egypt and so were bees. One draftsman from the village, Prehotep, perhaps after a particularly hard shift, just wanted to relax with a beer. Read more here.ĭeir el-Medina in western Thebes was home to a community of skilled workers, who were responsible for constructing and decorating the royal tombs of the period, in the Valley of the Kings and the Valley of the Queens. In the village of Deir el-Medina, the home of the workmen who built the royal tombs of the Valley of the Kings, donkeys were big business.
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